“George F. Walker has a knack for creating astonishing, vivid characters that exist beyond the confines of the stage.”
- Edmonton Journal
George F. Walker
George F. Walker is one of Canada’s most prolific and popular playwrights. Since beginning his theatre career in the early 1970s, Walker has written more than 30 plays and has created screenplays for several award-winning Canadian television series. Part Kafka, part Lewis Carroll, Walker’s distinctive, gritty, fast-paced tragicomedies illuminate and satirize the selfishness, greed, and aggression of contemporary urban culture.
Among his best known plays are Filthy Rich (1979); Zastrozzi (1977); Theatre of the Film Noir (1980); Criminals in Love (1984); Better Living (1986); Nothing Sacred (1988); Love and Anger (1989); Escape from Happiness (1991); Tough! (1993); Suburban Motel (1997, a series of six plays set in the same motel room); Heaven (2000); And So It Goes (2010); and Dead Metaphor (2013).
Since the early 1980s he has directed most of the premieres of his own plays. Walker’s plays have been presented in more than 700 productions across Canada, the United States, and around the world; they have been translated into French, German, Hebrew, Turkish, Polish, Hungarian, Romanian, Spanish, Portuguese, Czech, and Japanese.
During a ten-year absence from theatre, he wrote mainly for television including the series This is Wonderland, The Line, and Living in Your Car. Awards and honours include The Order of Canada, two Governor General’s awards, five Dora Mavor Moore Awards, nine Chalmers Canadian Play Awards, and the Governor General’s lifetime achievement award.
Praise for Risk Everything
“Risk Everything is well worth the gamble.”
“Risk everything is an enjoyable farce with some poignant insights at its heart.”
- Dublin Live
“It's all about riding a wave of quicksilver–albeit over a seabed of ground glass.”
- Aisle Say, NY
“…an invigorating walk on the wacky side.”
- LA Times
“…an exhilarating, very funny experience.”
“In a word: Brilliant.”
- Red Curtain Review
“extremely funny and provocative piece of theatre.”
- Unforgettable Lines
“the tightly structured play unspools with perfect precision, moving, as the best farce does, from a premise with at least some pretense of naturalism toward an explosion of lunacy.”
- The Globe and Mail
“The play itself is an absolute gem. Walker’s razor-sharp script walks the line between social satire and modern tragedy and features some of the funniest and most touching bits of dialogue in recent dramatic memory.”
- The Gazette
“There are rarely moments when there is no audible laughter from the audience.”
“Risk Everything is consistent throughout, with well paced drama and laughs.”
- David Keane